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 Margaret's Bench -- March 2008 
 

 

“These are the first two poems I’ve ever written in my life,” said Jeff. He had ventured out with others to the East West Bookshop in Seattle to write haiku in response to sacred texts. As the class instructor, I was glad to hear both surprise and pleasure in his voice.

The people in the class came from a variety of religious backgrounds. They were on a variety of paths in their spiritual lives. Some practiced within a tradition, others did not. We’d started the evening with Rumi’s poem “Hurry to the Source of Light.” We read the poem out loud and shared reactions to it. Then, from some of their reactions I wrote a rough haiku as an example.

After that introduction, class members wrote their own individual haiku, using a word or two from Rumi’s work in their own. Most were happy to share what they wrote with the others. Each offering was a gift, a jewel formed and cut from an individual soul.

For our second passage, I had chosen verses from Psalm 116. To my ears, the passage carried some of the same themes as the 13th century mystic’s poem, especially the beautiful line “Return, O my soul, to your rest….”

But halfway through the first reading of the Bible verses, I could tell that the psalm wasn’t going over with my eclectic class anywhere near as well as Rumi’s verses of longing and homecoming. We came to the troubled lines—“The snares of death encompassed me; the pangs of Sheol laid hold on me; I suffered distress and anguish. Then I called on the name of the LORD: ‘O LORD, I pray, save my life!’” — and the LORDs seemed to thud onto the room's carpeted floor.

After we read the psalm out loud, out of a rather uncomfortable silence, someone asked, “What’s Sheol?” Another class member answered, “Hell.” Then I said, “Or death. Sometimes it’s seen as hell, other times as death.”

Another uncomfortable silence. I can’t read minds, but I imagined thoughts in the room along the lines of: “I would never say that hell laid hold of me, or that some LORD might save me!”

Still, they were game. They wrote more haiku and shared them. In the sharing, we came together, if not over the psalm, then over the sharing. When I asked if I could post their poems on my web site, one of the participants said okay, as long as I knew that her haiku was definitely not inspired by that psalm! (She liked her haiku, I’m glad to say.)

At the end of the evening, people said they had enjoyed the process, and Jeff commented that he had just written his first two poems. Then someone asked me, “Why are you doing this? What’s your mission?”

Mission? My mind went blank.

“What are you teaching?” she asked. “Is this a writing thing? Or is it a spiritual thing?”

That I could answer. “It’s a spiritual thing. I’m into God.”

It can be a writing thing, of course. Some people who take this class go on to write lots of haiku on their own, either in response to scripture or just for the joy of it. Knowing that makes me happy. And yet, for me, the big payoff comes in our time together.

When I’m by myself and write a haiku in response to scripture, something always happens—a change in me, in my relationship to the text, in my relationship to God.

In a group, something more is created, a new thing that's made only in the presence of others. We may never see each other again. Yet, after reading, reacting, and sharing, we are related to each other, and we know it. Without having to spill big secrets, we share spirit and find communion in our unique voices. In telling our own stories, we bring a part of God's story to life.

The technical qualities of the newly-written haiku—the facets that would be polished in a professional writer's critique group—don't matter in this context. Each haiku need only be true to the heart of its maker.

My mission in these classes is to foster a place in which a handful of people can come together and, inspired by sacred poetry, catch the images that rise out of our own hearts and offer them to others. Sharing those images—sharing truth through the medium of imagination—we escape deadly isolation and come alive. We are saved from Sheol and set free—separately and together—to be wholly ourselves.
 

 

      --  Margaret 

 

                   

 

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